Now that we've all had a chance to see some of the video footage that has been leaking from the set of Quentin Tarantino's Inglorious Basterds (footage that has since disappeared), you might have noticed that the man himself was nowhere to be found in most of the clips. But, according to The Quentin Tarantino Archives, one man who has been behind the camera lately is Mr. 'Torture Porn' himself, Eli Roth. Rumor has it Roth is directing a Nazi propaganda film to be included in the story of "...a group of prisoners-turned-soldiers whose mission is to take down a group of Nazis, and the other follows a young Jewish woman who seeks to avenge the death of her parents by this Nazi group."

The horror director first signed on to the project back in August to play Sgt. Donnie Donowitz, "a baseball bat swinging Nazi hunter". But, I guess Roth wasn't content with just being in front of the camera this time around. QT Archives reports that Roth is directing the story of "Daniel Brühl as a Nazi sniper and GIs on a suicide mission." -- presumably while Tarantino was off teaching Til Schweiger how to do a spit take.

You almost have to feel sorry for Tarantino with the amount of scrutiny surrounding his WWII epic -- think about it, when was the last time a headline about an orchestral score got this much attention? So far, Tarantino and company have managed to keep a few details from spilling with the help of the odd water cannon. So, you may be wondering: why all the mania? Well, maybe it's because Tarantino has been talking about making Basterds for so long -- or maybe it's just because for a lot fans, Grindhouse wasn't the comeback they had been hoping for. Either way you cut it, we may not like what the guy has come up with, but at least it will be like nothing else we've seen before.

Inglorious Basterds is expected to arrive in theaters in 2009.

By William Goss (reprinted from 10/06/2008 -- Fantastic Fest)

Remember Broken Lizard's Beerfest? Whatever you thought of that 2006 comedy, it's difficult to dispute how incredibly astute the filmmakers were with rattling genre expectations in just a single scene. See, the American team's greatest beer guzzler, "Landfill", has passed away under shady circumstances, and right when everyone's ready to throw in the towel, in walks Landfill's identical twin brother, who they knew nothing about but who happens to have been told everything about each of them. Better yet, he's more than willing to even adopt Landfill's name, in an effort to bypass that whole awkward 'getting-to-know-you' stage.

It's every end-of-second-act "what do we do now, coach?" dilemma from an inspirational sports movie mercifully condensed to a couple of rapid-fire beats, and even if the rest of the film otherwise adheres to said sports movie formula, it's nice knowing that audience and actors alike were not going through the paces entirely unaware of how clichéd the entire narrative was.

OK, I highly doubt that anyone has ever sat down to read Dante's Divine Comedy and thought, "Hey! This would make a great video game!" -- But I guess there have been worse places to get an idea. Variety reports that Universal has snapped up the film rights to an upcoming console game with the working title of Dante's Inferno.

Universal was the lucky winner after a bidding war erupted between major studios (including Warner Brothers, MGM, and Paramount) for the netherworld adventure. The project went to Universal for the low, low price of a seven-figure deal, and this is the first title Electronic Arts has sold this year that was not based on an popular existing game. This brings EA's total to three film deals this year, with the possibility of a Sims feature (which some of us might have tried to block out), and then the announcement of an Army of Two feature film with Bourne scribe, Scott Z. Burns.

Since it's still early days for Inferno, not much is known about the game other than it will take players on a journey through hell. The games creator's will be taking a hands-on approach to the adaptation, and according to Variety , "Making a movie deal well before the game's release will give EA a shot at seeing a movie released closer to the beginning of the game's life cycle." I don't know about that, but I do know that it can't be any worse than most movie tie-in games.

It wasn't long ago that we were debating whether supervillains could be front and center in their own movie. And now we might get to find out! According to The Hollywood Reporter, Universal has optioned Villains, a four-issue series penned by Adam Cogan and Ryan Cody.

Villains follows Nick Corrigan, an aimless young man who discovers that his elderly neighbor, Charlie Cobb, used to be the notorious supervillan, Hardliner. He's now living the quiet and anonymous life -- and Corrigan offers to help keep it that way if only Hardliner will teach him the ways of the supervillain. Hardliner would rather, in the words of Issue 2, "rip the kid's throat out," but he grudgingly complies, and even lends Corrigan his armor. But if there's one man you shouldn't trust to be straight with you, it's a retired supervillain, and things go sour pretty quickly. You can get a peek at the series on Viper Comics' official site. It looks like the series has been around since 2006, but hasn't quite made it to the finish line.

Matt Jennison and Brent Strickland have been hired to pen the adaptation -- they're the two guys rewriting Wonder Woman, so they certainly know their way around a comic book. No director has been attached yet, but here's hoping this doesn't just get shoved into pre-production limbo. It sounds like Apt Pupil and Gran Torino by way of The Incredibles -- and that would be a movie worth seeing.

That's it, I officially give up. Why does it seem like nobody really likes video game flicks, but Hollywood is determined to keep on making them? Well, I guess it's just another day in the movie business, and another game property has been snatched up for the big screen. Gaming giant Electronic Arts have just announced that Universal has purchased the film rights to their latest shooter hit, Army of Two.

The third person shooter centers on two mercenaries who, after earning their stripes, become embroiled in your run-of-the-mill global conspiracy. The game was a huge hit upon release back in March, and gamers loved that the story relied on the cooperation of our two heroes (good news if you normally get left behind and trapped in a corner while your partner sweeps out bad guys) and customizable weapons for maximum carnage.

Bourne Ultimatum scribe Scott Z. Burns has already been hired to adapt the game for Scott Stuber, and EA will also co-produce. EA has been pretty eager to get into the film game lately (and you can't blame them now that Hollywood has come knocking into the gaming business for themselves) and Army is their second feature project that the company has set in motion this year. Army definitely seems like the obvious choice for an easy transition to the big screen since it comes with a ready made story of political intrigue (first up for EA will be a film version of The Sims for Fox and producer John Davis). But let's not forget what is really important: Army of Two might just be Universal's shot at a brand new franchise.

Army of Two is expected to begin production in 2009. So who plays this game? Will it make a good film?

There aren't many movie franchises that have managed to keep their fans happy as time goes on, with maybe the exception being those Bourne movies. I always thought one of the stand-out traits of the spy franchise was just how darn good all three films are. So it's no surprise that Universal wasted zero time in chucking the latest installment of the franchise into production. Variety now reports that Universal has hired George Nolfi, one of the co-writers of the third installment, to pen the latest addition to the super-spy flicks.

Confirmation of a fourth film appeared last spring, but both Greengrass and Damon were a little cagey on details -- plus the two had already started work on their Iraq drama, Green Zone. According to Variety, Universal is going full steam ahead with the project, and are considering it their "top priority" for the coming year. Nolfi only has a few credits under his belt, and sure, he did help write Ultimatum, but the bad news is that he was also behind the laughably awful Timeline and Ocean's 12, (arguably the weakest of the 'paper thin' trilogy).

Bourne 4 will be the first film that will not take its title from one of Robert Ludlum's novels, so I can only guess that Universal wasn't interested in using any of the newer titles or storylines. Bourne 4 is expected to arrive in theaters in 2010. What sort of adventure would you like to see Bourne take on this time around?

It's football season, which means it's also the season for at least one heartwarming and inspiring movie about the sport. This year the film comes from Universal -- The Express, a biopic of Ernie "The Elmira Express" Davis, the first African-American to win the Heisman trophy, back in 1963. However, the movie divides its time between Davis and his coach at Syracuse University, Ben Schwartzwalder, and shows the ways in which the two characters changed one another (for the better, natch).

The movie opens during the notorious Cotton Bowl game of 1960, when Davis (Rob Brown) was a running back on the Syracuse University team that played The University of Texas, which had not yet allowed black varsity team members. It's a rough game, but Davis is handling himself until all hell breaks loose ... and then we flash back to Davis's childhood in the 1940s and see how he learned to handle nasty racist situations even at an early age. He's stubborn and he's speedy, and eventually decides to use those assets to strive for his goal of playing professional football. His idol, Cleveland Browns running back Jim Brown, advises Davis to play for his alma mater Syracuse because Schwartzwalder (Dennis Quaid) is such an excellent head coach. But Davis encounters difficulties in the ways Schwartzwalder handles the black team members. The coach's primary goal is to avoid "trouble," so they're warned away from the white female students, and worse yet, at certain Southern games they're not allowed to score touchdowns. The real action culminates when the film returns to the Cotton Bowl game in Dallas.

A few weeks back I received an early copy of the Iron Man SE DVD, and although we all griped a little bit about the lack of an audio commentary -- I'm pretty sure the fans are still happy with that purchase. So now let's try it again, only instead of Iron Man, we'll be picking through the 3-disc Special Edition of Louis Leterrier's The Incredible Hulk. And while it's definitely a good package (provided you dig the film), here's one simple warning right out of the gate: The third disc is nothing more than a "digital copy" platter. Maybe I'm missing something, but I just don't see the big appeal of "digital copies." Why the hell would I want to overstuff my hard drive -- when I have the DVD sitting right here??

Anyway, the Special Edition has lots to recommend it, and the main feature is certainly something to see -- doubly so if you happen to have Blu-Ray. (I do not.) Even better the second time around, The Incredible Hulk is a simple yet very well-made action adventure flick in which a fugitive scientist must avoid the military while trying to get a powerfully monstrous alter-ego out of his system. Edward Norton, Liv Tyler, William Hurt, and Tim Roth bring an excellent air of professionalism to "yet another" superhero movie, and while it might not have been the Action Event that Iron Man was, I think it's safe to assume that Marvel and the fans were pleased with the big green semi-sequel as well.

So on disc one we get an audio commentary with Leterrier and actor Tim Roth, as well as six deleted scenes that run about 14 minutes total. The deleted footage is mostly early (Brazil) stuff and a few villainous rants between Hurt and Roth. (All good cuts if you ask me.) As far as the commentary goes, it sounds a lot like a cool Brit and an enthusiastic Frenchman talking about their action movie. I'm only about fifteen minutes into the chat-track, but it's pretty amusing stuff...

Read on for the Disc Two delights.

Remember Broken Lizard's Beerfest? Whatever you thought of that 2006 comedy, it's difficult to dispute how incredibly astute the filmmakers were with rattling genre expectations in just a single scene. See, the American team's greatest beer guzzler, "Landfill", has passed away under shady circumstances, and right when everyone's ready to throw in the towel, in walks Landfill's identical twin brother, who they knew nothing about but who happens to have been told everything about each of them. Better yet, he's more than willing to even adopt Landfill's name, in an effort to bypass that whole awkward 'getting-to-know-you' stage.

It's every end-of-second-act "what do we do now, coach?" dilemma from an inspirational sports movie mercifully condensed to a couple of rapid-fire beats, and even if the rest of the film otherwise adheres to said sports movie formula, it's nice knowing that audience and actors alike were not going through the paces entirely unaware of how clichéd the entire narrative was.

In this weekend's well-meaning docudrama, Flash of Genius, Greg Kinnear portrays an inventor who struggled for years to sue car manufacturing behemoth Ford and get them to admit that they helped themselves to his patent on the intermittent windshield wiper. (Eugene reviewed it back at Telluride, and I basically agree with his assessment.)

Despite the real-life case being settled a couple of decades ago, Ford has taken this current opportunity to point out the factual inaccuracies in the movie that they've taken issue with, doing so in the form of this handy timeline, without causing any sort of formal stir, as covered in this accompanying text. Especially considering that the film's subject, Robert Kearns, passed away over three years ago, I doubt it would (and hope it won't) come to any sort of renewed head.

Maybe in thirty years or so, we'll get a movie about a blogger battling impossible odds to get all the facts straight on either side of a movie in which an inventor battled impossible odds to get just some facts straight. Now, to just work the word 'Genius' back into the title...

I'm finally writing a post here that my sister will read. You see, she adores Russell Brand almost as much as Brand adores Cinematical and Scott Weinberg (see image above as proof of this fact). Maybe even more, because unlike most Americans, she was avidly following his British career via his podcast and BBC America. There have been many humbling moments in my Cinematical salad days, but none quite so humiliating as when I told her Brand was in Forgetting Sarah Marshall. "I know. I followed the filming on his podcast." At least Weinberg promptly humiliated her by getting all cozy with her favorite Englishman.

As my sister wasn't one of the casting directors for Forgetting Sarah Marshall, Brand had to make an audition tape to convince them of his weirdly-coiffed worthiness. In honor of its DVD release, MTV has the exclusive, and I've embedded it below for your viewing pleasure. And if you're like my sibling and can't get enough, I've also included the karaoke version of his in-film music video, Infant Sorrow.

5-1 my sister writes "I've already seen both of those videos" in the comments. Hopefully, you'll be more appreciative.

The wires (yes, I still think of them like that) were buzzing all weekend with MTV's big scoop -- that while Russell Crowe and Ridley Scott were out promoting Body of Lies, the network cornered them about the long-delayed Nottingham, Scott's revisionist Robin Hood story. There have been a lot of names attached to the role of Robin Hood, ranging from Christian Bale to newcomer Sam Riley.

Forget all of that because now, from Scott himself, comes the announcement that Crowe will be playing both roles. Mum on the details, the director would only say it was "a good old clever adjustment of characters. One becomes the other. It changes." I would take that to mean that the Sheriff of Nottingham becomes Robin Hood after having to steal from the poor one too many times ... or they're twins, which would be pretty lame, especially for Scott and Crowe.

But wait -- there's more! CHUD points out that in reading the original screenplay, they noticed the Sheriff was caught between a tyrant king and a less-than-heroic Robin Hood. Nothing in this script indicated the Sheriff and Robin Hood could be played by the same actor. Now, Brian Helgeland came in and did a rewrite, and much depends on that.

The medievalist in me suspects this is less shockingly revisionist than a return to the old medieval legends, where Robin Hood was merely an outlaw who beheaded people from time to time, not the Robin of Locksley we all know and love. It's a pretty flexible legend, and I'm very anxious to see what Scott does with it ... when it finally heads into production, that is.

Click poster to enlarge

The last time Angelina Jolie received an Oscar nod was for playing a mental patient in 1999's Girl, Interrupted, for which she took home the statue for Best Supporting Actress. To give you an idea of how long ago that was, consider this: Winona Ryder -- and not Jolie -- was a box-office draw back then.

Now, after years of strong and sometimes overlooked performances (ahem, A Mighty Heart), Jolie is once again receiving battalions of Oscar buzz, this time for her role in Clint Eastwood's Changeling (get your exclusive first look at the poster above).

Based on real events that transpired in 1920s Los Angeles, Changeling is the tale of a mother (Jolie) whose abducted son is seemingly returned to her by the LAPD. Turns out the boy is not her flesh and blood, however -- or so she adamantly claims -- and thus Mama Jolie sets out to wring the truth from a corrupt police department unwilling to listen to her.

Changeling opens in limited release Oct. 24 and expands wide on Oct. 31.

I would be a huge dork if I began this post with the sentence, "This is the best news ever," but it kind of is. One of my favorite (and yours too) scriptwriters is making a return to the big screen -- and may it be a triumphant one. According to Variety, Shane Black is directing Cold Warrior for Universal Pictures from a script penned by Chuck Mondry. This will be his second outing as a director -- his first was, of course, the fantastic Kiss Kiss Bang Bang.

And frankly, Warrior sounds like a film from the heyday of 80's action. It centers on a spy from the Cold War era who comes out of retirement and teams up with a younger agent to thwart a Russian domestic terrorism plot. It couldn't be more timely given how icy relations are with our Eastern neighbors. (The Russians didn't get to take much of a break from big-screen villainy, did they? I thought their comeback would just arrive via the Russian Mafia, not as terrorists again.)

This is going to be a blast to watch -- from the description, I want to believe it's old-school Black, but it could just as easily go into dark and serious Breach territory. Obviously, my fondness for macho men, snappy one-liners, and heavy gunfire hope it's the former. That's the kind of movie that can cure all ills and make you forget your economic woes, isn't it?